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There, he would become a chef specializing in Cantonese cuisine. Ĭao Dean initially taught Wing Chun at Hong Kong, but unemployment forced him to move to Malaysia for the second time in his life. Under elder Cho, Dean would eventually master Wing Chun as a young adult. The branch pioneer Cao Dean (Cho Dak-on, unrelated to Duk-sang) became student of Cho Duk-sang after getting beaten in an altercation. Duk-sang would be the first to venture outside the family martial art. Red Boat Opera performer identified as 'Painted Face Kam' would pass his Wing Chun knowledge to Cho Duk-sang, who came from a family known for Hung Ga Kuen. Nanyang / Cao Dean History Īccording to this lineage of Wing Chun, the art was conceived at Red Boat Opera, being based on the knowledge of both Jee Shim (presenting ' Always Spring' variation) and Ng Mui (presenting 'Praise Spring' variation). It functions like normal Wing Chun, only deviating in ways it is taught. Guo Lao Wing Chun uses 40 short drills which are a loose expression and application of Wing Chun.The Gu Lao Wing Chun is referred to as Forty Points Wing Chun.Tam Yeung was one of the Leung Jan's students who would learn this system in entirety.

To learn a single form from now elderly Leung Jan, the villagers needed to pay a significant amount of money to even learn a single form. Leung Jan grows weary of inactivity while in retirement and chooses to teach a small group of students in a new variation of Wing Chun that focuses on short drills. This branch was taught by Leung Jan when he retired back to his native village of Gu Lao in Heshan County, Guangdong province and is typically referred to by the village name to distinguish it from the doctor's Foshan teachings.

Sum Nung Gu Lao Village / Forty Points Wing Chun History Īdditional emphasis on use of knives, six and a half point pole and throwing darts.

Currently the Yuen Kay-san lineage is centred at Guangzhou and spearheaded by Grandmaster Sum Nung.

Yuen Kay-shan combined the Wing Chun of both of his teachers, constable Fok Bo-chuen, and body guard and bounty hunter Fung Siu-ching. The fifth of five brothers, he became known as 'Foshan Yuen Lo Jia' (Yuen the Fifth of Foshan).

Yuen Kay-shan was a master in the martial art of Wing Chun, who lived from 1889 to 1956, known as an undefeated champion of 1000 death duels in Foshan during the 1920-1950s.

According to this lineage, the 'true founders of Wing Chun remain lost in time', with lineage originating from Red Boat Opera.

Relevant discussion may be found on the talk page. This section needs expansion with: Information available from Chu 2015. Per Chu, Ritchie and Wu - Yip Man Wing Chun is known for its simplicity, directness, economy of motion and encapsulation of the essential Wing Chun principles. Leung Sheung, Chu Shong-tin, Ho Kam-ming, Lo Man-kam, Wong Shun-leung, Bruce Lee, Victor Kan, Ip Ching, Ip Chun, William Cheung, Hawkins Cheung, Moy Yat, and Leung Ting. Ng Mui → Yim Wing-chun → Leung Bok-chao → Leung Lan-kwai → Wong Wah-bo (and Leung Yee-tai) → Leung Jan → Chan Wah-shun & Leung Bik → Ip Man Ip man's most notable students A claim that his eldest son Yip Chun is the only inheritor of Yip Man's system is disputed by a number of Wing Chun schools, including those in Foshan.

Yip Man moved to Hong Kong in 1949, his was the first Wing Chun system to be taught publicly, and it has grown to become one of the most popular of the Chinese martial arts. His students there have passed on his style which is still taught in Foshan today. Yip Man studied under Leung Bik for a few years before returning home to Foshan where he opened his own school. Yip Man did not win and the old man was Leung Bik. In another legend Yip Man was attending school in Hong Kong during the 1910s, where he was invited by a friend to challenge a highly skilled old man.

#Sifu didier beddar plus#

Leung Jan passed it on to his two sons Leung Chun and Leung Bik plus other students who included Chan Wah-Shun, who taught his own students including Yip Man. She taught this to one of her students Yim Wing-chun, she taught her husband Leung Bok-chao who named the style Wing Chun Kuen (Wing Chun boxing) in his wife's honour and who passed it to Leung Lan-kwai of the Red Boat Opera Company (although other versions of this legend state that he was a scholar and herbalist), who passed it on to Wong Wa-bo and Leung Yee-tai both of the Red Boat Opera, and who both taught the herbalist Leung Jan. She incorporated their fighting styles into her Shaolin Kung Fu to develop an unnamed style.

This lineage has a legend in which a nun Ng Mui saw a fight between a crane and a snake.